3D COAT DISPLACEMENT MAP GRAY 32 BIT
3D COAT DISPLACEMENT MAP GRAY MANUAL
3D COAT DISPLACEMENT MAP GRAY SOFTWARE
3D COAT DISPLACEMENT MAP GRAY MAC

That is why the intermediary step is necessary. The feature (tie point) detection algorithms are not able to recognize a dot in one image and a big coin in the other images. On the far-range images, a coin looks like a dot, and in the close-range images, the coin is seen with clear details.

The mid-range shots connect the far distance loop and close-range images. Next is the mid-range and close-range shots: if the first loop is at 3m away from the object, the mid-range is at 1.5m and the close-range is about 50cm. And this “frame” will be used for alignment and depth calculation of the more close-range shots.

3D COAT DISPLACEMENT MAP GRAY SOFTWARE

These images give the photogrammetry software a “basic frame”. For better results, you can make more loops from different elevation levels. 36 images), where the whole object fits in the image. Good scanning practice: at least one loop around the object in 10-degree increments (approx. You should have about 3 to 5 meters of available space around the object, and for the close-up shoot, you’ll need to get to about 50cm from the object (for objects up to 3 meters in height). I can also upload my project file to an FTP if someone would be so kind as to take a look, though I can't put a public link to the FTP.It is good to have enough moving space around the object you are planning to shoot. I've been documenting with screenshots along the way and can post pictures of anything that might help diagnose the problem. This leads me to believe that the problem is probably with the particular model and not the basic workflow. I've been able to get a pretty good results with the simple forms in Cinema 4d. I've also done several tests with simple sculpted spheres and auto-retopo.

I've experimented with sub-poly displacement levels doing test render from 2-6.Ħ. With the normal maps, I've tried flipping the Y and X in Cinema 4d. All of the I've tried the above steps with displace maps 'zero level is grey' and 'zero level is black, not normalized'. This solved some of the problems, but still not an acceptable representation.ĥ. Redid UV maps and tried getting displacement map/nMap/diffuse with texture baking tool, bake PPP export, bake MV export, etc. Following a suggestion in a thread, I went back to retopo room and added edge loops to areas where the I was getting errors.

3D COAT DISPLACEMENT MAP GRAY MANUAL

Even after manual cleaning my nMap layer with eraser/smooth, I am still getting strange stretching and seams that I can't see in 3D coat.Ĥ. Tried exporting nMaps by baking with PPP. There were still artifacts/seams that not in 3D Coat.ģ. The result map was decent, but still not usable. I re-tiled my UV maps so that the head and body fit in one set. Couldn't find a way to get generate a displacement map without the two UV sets overlaying. Tried to get displacement map with texture baking tool.

3D COAT DISPLACEMENT MAP GRAY 32 BIT

Same results.Īs a side note, I couldn't get a 32 bit displacement map exported with any height detail.Ģ. I got black artifacts and seams that were not in the paint room viewport. Exported color, displacement, nMaps with file->export model. The UVs are almost completely gray- no dark red/blue areas to indicated stretching.ġ.Merged into Scene (MV).

I used the complex checker to make sure all of the polys were facing the right direction. The model is very simple, but needs to be slightly asymmetrical.ģ.

3D COAT DISPLACEMENT MAP GRAY MAC

I'm really not sure if it's a user problem, Mac problem, C4d problem or quirk with 3D Coat. I think I've exhausted every thread on this forum to troubleshoot the problem, but to no avail. However, I've been having a lot of trouble getting a decent representation of my voxel model in Cinema 4d R13.

I recently bought 3D Coat and have been super happy with the program.

3d coat displacement map gray